Rotterdam or anywhere
From: me
To: indiepop-list@eskimo.com
From several recent posts to the list, I understand that I am supposed to be an expert on the Dutch indie/tweepop scene. While I understand where this assumption comes from –I possess a Dutch passport, happen to like indiepop and, especially, like to brag…– I am afraid I have to admit I am not. Which is partly because I haven’t set foot the Netherlands for almost seven months now. Partly because it’s even longer since I’ve made a proper effort to keep up with what’s going on in the Netherlands, music-wise. But mostly because one can not be an expert on something that doesn’t exist.
It’s not that there aren’t bands that could be labeled ‘indiepop’ at all. Ben gave a list of bands of which most are still around (and some are quite good, actually). Archie mentioned The Nightblooms –a band that I started listening to after I had discovered they were the only Dutch band mentioned on TweeNet– of the mid 90s, while around the same time, The Pooh Sticks had two Dutch members as well.
Of the bands the are still around, Safe Home should definitely be mentioned: a couple that makes sweet, dreamy bedroom pop and have releases on, among others, Sunday Records. And there’s Persil, an electronic duo whose albums wouldn’t look bad next to Stereolab’s and who can count David Gedge and the late Jon Peel among their fans. If you’re into AGSFB, you’ll probably enjoy Damer and The Cuties while Furtips, although more lo-fi than indiepop, are the only Dutch band I know of that claims to be influenced by TVPs. YouMeElectricity, finally, is a girl that makes happy electropop.
But an indiepop scene is more than just a list of bands whose music could be filed under indiepop. There is, to my humble opinion, no Dutch band that I would put on the map whose first outlines were drawn by the Television Personalities and Orange Juice, that was coloured in later by The Pastels, Talulah Gosh and the Field Mice and was given its final shape by the likes of Tullycraft and The Tidy Ups. I don’t think there is a single Dutch band that really thinks of itself as being on this map either.
I have often wondered why. It might just be a coincidence. After all, the indiepop scene in most countries consisted of 20 people, or less, that just happened to be in ten bands, have three labels and two club nights. It might just be that the Netherlands never had twenty such people at the same time, or that they never found each other. I have, over the years, probably met ten Dutch people who got happy from Pipas, loved the Cat’s Miaow and admired Pam Berry.
On more cynical moments, I think there’s something in Dutch culture that makes people afraid of showing that they’re happy, that life is good and that they love small things. Dutch films, at least the ones that are supposed to be good, are mostly very grey, very depressing and usually quite experimental too. It’s the same with books. I’ve seen reviews of indiepop records where the author really liked the band, but then felt uneasy with the idea of liking something that was ‘just so simple’.
But I suppose I’m drifting off now. Also, the other idea I stumbled upon a Dutch person on last.fm that had listed Pipas and Heavenly among her favourite bands. And someone else had been listening to Watoo Watoo. I hope that one day, such people will show me wrong.
I stole the ‘20 people in 10 bands’ from Dimitra’s description of the Greek indiepop scene. The grumpyness is all mine.

In an attempt to misguide people about global warming, Mother Nature thought it was a good idea to let some snow fall in southern Oxfordshire. So even though spring officially started in the very early hours of Wednesday, I was glad I had bought some gloves the other day and less glad my hat is still somewhere in the Netherlands. Perhaps She just prefers the 

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